Camille Pissarro, 1874 - Pontuadakı ictimai bağ - təsviri sənət çapı

Müasir bədii çap məhsulunun xülasəsi

1874 ilində Camille Pissarro created this impressionist artwork. The painting has the size - 23 5/8 x 28 3/4 düym (60 x 73 sm) və ilə hazırlanmışdır texnika of kətan yağ. Bu gün sənət əsəri Metropolitan İncəsənət Muzeyi digital collection. We are glad to state that the ictimai sənət əsəri nəzakətlə verilir The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Arthur Murray, 1964. Əsərin kredit xətti: Gift of Mr. and Mrs. Arthur Murray, 1964. The alignment is landscape with an aspect ratio of 1.2: 1, yəni mənasını verir uzunluğu enindən 20% uzundur. Camille Pissarro was a artist, painter from France, whose artistic style can mainly be classified as Impressionism. The European artist lived for a total of 73 years, born in 1830 in Charlotte Amalie, Virgin Islands of the United States and deceased in the year 1903 in Paris, Ile-de-France, France.

Hansı təsviri sənət çap materiallarını seçə bilərəm?

Hər bir məhsul üçün müxtəlif ölçülər və materiallar təklif edirik. Fərdiləşdirmə üçün aşağıdakı seçimlər mövcuddur:

• Poster (kətan materialı): The poster print is a printed sheet of canvas with a slightly rough surface finish. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm around the work of art, which facilitates the framing with a custom frame.
• Alüminium dibond çap: Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Aluminium Dibond Print is the perfect introduction to fine replicas on aluminum. For your Direct Print On Aluminum Dibond, we print the selected artwork right onto the surface of the white-primed aluminum. The bright components of the original artwork shine with a silk gloss, however without the glow. Colors are vivid and luminous in the highest definition, details are crisp and clear.
• Parlaq akril şüşə çapı (üstü real şüşə ilə örtülmüşdür): An print on acrylic glass, which is sometimes described as a an art print on plexiglass, will convert the artwork into brilliant décor. In addition, it forms a good alternative option to canvas or dibond art prints. The major upside of a plexiglass fine art print is that contrasts as well as image details become identifiable thanks to the delicate tonal gradation. Our real glass coating protects your selected art replica against sunlight and heat for up to 60 years.
• Kətan çapı: The printed canvas stretched on a wooden stretcher frame. Besides, canvas produces a familiar and warm feeling. Your canvas of your favorite artpiece will let you turn your fine art print into a large collection piece as you know from art galleries. Hanging a canvas print: A canvas print has the advantage of being low in weight, which means that it is quite simple to hang up the Canvas print without the help of extra wall-mounts. Canvas prints are suited for all types of walls in your house.

Vacib məlumat: We try whatever we can in order to depict our products with as many details as possible and to display them visually. Although, the tone of the printing material, as well as the print result might vary marginally from the presentation on your screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version shown here. Given that all our are processed and printed by hand, there might also be minor differences in the exact position and the size of the motif.

Strukturlaşdırılmış məqalə təfərrüatları

Sənət əsəri haqqında məlumat

Rəssam

Bu mətn əqli mülkiyyətdir və müəllif hüquqları ilə qorunur © | www.artprinta.com (Artprinta)

Artwork specifications from The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - Böyükşəhər İncəsənət Muzeyi)

Pissarro’s paintings of the mid-1870s are largely devoted to the fields and roads near his home in Pontoise. Here, he turned to a more urban subject, of the type favored by colleagues such as Monet and Renoir: the town’s public garden. The view across the Montmorency plain toward Paris may be glimpsed at left, beyond the spire of Pontoise's Notre-Dame church. But rather than emphasizing the vista, Pissarro focused on the park’s terraces, populated by well-dressed bourgeois and their children. He exhibited a similar scene, painted the year previously (State Hermitage Museum, St. Petersburg), at the first Impressionist exhibition in 1874.