Salvator Rosa, 1659 - Bəxt allegoriyası - təsviri sənət çapı

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Bəxt allegoriyası rəssamın əsəridir Xilaskar Roza in 1659. The original had the size - 200,7 × 133 cm (79 × 52 3/8 in) and was painted with the medium oil on canvas. What is more, this artpiece can be viewed in in the J. Paul Getty Muzeyi digital collection, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The klassik sənət ictimai sənət əsəri nəzakətlə daxil edilir J. Paul Getty Muzeyi.Əsərin kredit xətti: . Üstəlik, düzülmə portretdədir format və nisbətinə malikdir 2: 3, bunu nəzərdə tutur uzunluğu enindən 33% qısadır. The actor, poet, musician, painter, printmaker Salvator Rosa was a European artist, whose artistic style was primarily Baroque. The Italian artist was born in 1615 in Naples, Napoli province, Campania, Italy and passed away at the age of 58 1673-cı ildə Roma, Roma vilayəti, Latsio, İtaliya.

Muzeydən orijinal sənət təsviri (© Müəlliflik hüququ - J. Paul Getty Muzeyi - J. Paul Getty Muzeyi)

A personification of Fortune bestows symbols of wealth, status, and power on dumb animals who neither need nor deserve them. Fortune is usually represented with a blindfold, but Salvator Rosa showed her fully aware of her favors. Similarly, the cornucopia is usually shown facing upward; by depicting it overturned, Rosa expressed reckless extravagance.

The beasts, portrayed with stark realism, trample the attributes of art and learning, including books and a palette. Draped in the cardinal red of the Catholic Church, an ass shields an owl, the symbol for wisdom, from the light. Bitter over his exclusion from papal patronage, Rosa included personal references: a book bearing his monogram and a pig stepping on a rose, which alludes to his name.

As a satire of Pope Alexander VII's nepotistic artistic patronage, this painting nearly sent Rosa to prison. After showing it privately in his studio, he flagrantly disregarded all advice and exhibited it publicly in the Pantheon in 1659. Allegory of Fortunearoused such a furor that only intervention by the pope's brother saved him.

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For every art print we offer different materials & sizes. Pick your favorite material and size among the following alternatives:

• Kətan çapı: The UV printed canvas applied on a wooden stretcher frame. A canvas creates a special impression of three dimensionality. The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Hence, a canvas print is suited for any type of wall.
• Alüminium dibond çap: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface structure. For your Print On Aluminum Dibond, we print the selected artpiece on the aluminium composite surface. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely modern way to showcase artworks, since it draws focus on the replica of the artwork.
• Poster çapı (kətan materialı): The Artprinta poster print is a UV printed cotton canvas paper with a slightly roughened structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the artwork in order to facilitate the framing.
• Parlaq akril şüşə çapı (üstü real şüşə örtüklə): A glossy acrylic glass print, which is sometimes labelled as a UV print on plexiglass, makes the original work of art into magnificient décor. Your favorite work of art will be made with state-of-the-art UV print technology. It makes sharp and vivid print colors. Our acrylic glass protects your custom fine art print against light and heat for between four and 6 decades.

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Hüquqi qeyd: We try everythig possible in order to describe our products in as much detail as possible and to illustrate them visually. Nevertheless, the colors of the print products and the printing can vary slightly from the representation on your screen. Depending on your screen settings and the nature of the surface, not all colors will be printed 100% realistically. Because all our are printed and processed by hand, there might also be minor discrepancies in the size and exact position of the motif.

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