Lorenzo Lotto, 1534 - İnsan portreti, bəlkə də Girolamo Rosati - təsviri sənət çapı

Background information on the artwork with the title "Portrait of a Man, possibly Girolamo Rosati"

"Portrait of a Man, possibly Girolamo Rosati" is a work of art made by the male italyan rəssam Lorenzo Lotto ildə 1534. Bu 480 year-old artpiece was painted with the absolute size: Çərçivəli: 135,9 x 128 x 8,6 sm (53 1/2 x 50 3/8 x 3 3/8 düym); Çərçivəsiz: 108,2 x 100,5 sm (42 5/8 x 39 9/16 düym). Oil on canvas was applied by the European painter as the medium of the artpiece. The artwork's inscription is: "signed lower right: ".L. Lotus 15[...]"". Today, the piece of art is included in the Klivlend İncəsənət Muzeyi sənət kolleksiyası. The klassik sənət hissəsi olan şah əsəri ictimai nəzakətlə təmin edilir Klivlend İncəsənət Muzeyi. The creditline of the artwork is: Gift of the Hanna Fund. Moreover, alignment is kvadrat şəkil nisbəti ilə 1: 1, yəni mənasını verir uzunluğu eninə bərabərdir. Lorenzo Lotto was a male painter, whose artistic style can be classified as High Renaissance. The artist lived for a total of 81 years - born in 1475 in Venice, Venezia province, Veneto, Italy and died in 1556.

Artwork specifications by The Cleveland Museum of Art (© Copyright - The Cleveland Museum of Art - www.clevelandart.org)

The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?), while on the table are clover—a symbol of abundance, good fortune, and happy marriage—and jasmine, associated with purity and love, further emphasized by the roses on the trellis. There may have been a companion portrait of the sitter’s bride, to whom he acknowledges his devotion. Another recent interpretation identifies the sitter as Girolamo Rosati, a high official in Fermo, on Italy’s east coast. The paper may be a design for one of his important architectural projects, to which he may be pointing in the distance. The interrupted moment is a naturalistic touch characteristic of Lotto, quite distinct from the formality of the other Italian Renaissance portraits in the museum's collection. Though this portrait clearly articulates the man’s status, Lotto emphasizes his individuality and interiority as much as a socially constructed identity.

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• Metal (alüminium dibond çap): This is a metal print manufactured on aluminium dibond with an impressive depth effect. The bright & white sections of the artwork shine with a silky gloss, however without any glow. The colors of the print are vivid and luminous in the highest definition, fine details of the print appear crisp, and you can literally feel the matte appearance of the print.
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• Kətan çapı: The printed canvas, not to be confused with a real canvas painting, is a digital image applied on a canvas. The canvas produces a familiar and warm impression. Canvas prints are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
• Akrilik şüşə çap: An acrylic glass print, which is often named as a fine art print on plexiglass, changes the original work of art into lovely décor. Your own copy of the work of art is printed with the help of state-of-the-art UV print technology. The major benefit of an acrylic glass fine art copy is that contrasts and artwork details become more identifiable because of the very fine gradation in the print. Our real glass coating protects your chosen art replica against sunlight and heat for many more years.

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