Martin Johnson Heade, 1895 - Açıq Mavi məxmər parça üzərində maqnoliya - təsviri sənət çapı

Məhsul haqqında məlumat

The 19th əsr masterpiece was painted by the painter Martin Johnson Heade. The 120 illik sənət əsəri ölçüsünü ölçür: 38,6 × 61,8 sm (15 1/4 × 24 3/8 düym) və ilə hazırlanmışdır texnika kətan üzərində yağlı boya. Signed, lower right: "M. J. Heade" is the painting's inscription. The work of art belongs to the Çikaqo İncəsənət İnstitutu digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (lisenziya: ictimai sahə). Əsərin kredit xətti aşağıdakı kimidir: Restricted gift of Gloria and Richard Manney; Harold L. Stuart Endowment. Üstəlik, uyğunlaşma landşaft nisbəti ilə 16: 9, meaning that the length is 78% longer than the width. Martin Johnson Heade was a painter, traveller of American nationality, whose artistic style can mainly be assigned to Realism. The Realist painter was born in 1819 in Lumberville, Bucks county, Pennsylvania, United States and deceased at the age of 85 1904 ildə.

General specifications as provided by Art Institute Chicago (© Müəlliflik hüququ - Çikaqo İncəsənət İnstitutu - Çikaqo İncəsənət İnstitutu)

This sensuous and decorative image dates from the later part of Martin Johnson Heade’s long, varied, and peripatetic career. Traveling through much of the United States, to England and continental Europe, and (three different times) to Brazil, he produced work ranging from pristine views of East Coast salt marshes and lush tropical landscapes to pictures of exotic hummingbirds and orchids. At the age of sixty-four, Heade settled in Saint Augustine, Florida. There he began painting detailed arrangements of native flowers, including the Cherokee rose, orange blossom, and magnolia. Stretched out like an odalisque on blue velvet cloth, the curvaceous magnolia was meticulously rendered in pale, subtle hues and illuminated by a light so sharp that the image evokes the hyperintensity of a dream. The warm, steamy atmosphere is almost palpable, as is the blossom’s heady, pungent scent. The Art Institute’s Magnolias is one of a number of compositions by the artist featuring this dramatic yet delicate white flower.

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• Metal (alüminium dibond çap): Aluminium Dibond prints are prints on metal with a true depth. For the Aluminium Dibond print, we print your chosen work of art on the aluminium surface. The bright and white parts of the artwork shimmer with a silk gloss, however without any glow.
• Poster çapı (kətan materialı): The Artprinta poster is a printed sheet of canvas paper with a slightly roughened finish on the surface. A poster print is designed for placing the art replica using a customized frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing.
• Akril şüşə çap: The print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, will transform an original artwork into magnificient décor. Besides, the acrylic print makes a viable alternative option to dibond or canvas fine art prints. The acrylic glass protects your custom art replica against light and heat for many decades.
• Kətan: A printed canvas material applied on a wooden frame. A canvas print makes a charming and warm appearance. Your printed canvas of this artwork will let you turn your very own fine art print into a large artpiece like you know from art galleries. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without any wall-mounts. Hence, canvas prints are suitable for all types of walls.

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Hüquqi imtina: We do whatever we can in order to depict our art products as precisely as possible and to exhibit them visually. Although, the colors of the printing material and the print result can diverge slightly from the image on the device's screen. Depending on the screen settings and the quality of the surface, not all color pigments will be printed as realisitcally as the digital version. Considering that all fine art prints are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

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