Joachim Patinir, 1512 - Müqəddəs Jeromun Tövbəsi - təsviri sənət çapı

İncəsənət çapı haqqında maraqlı faktlar The Penitence of Saint Jerome

The Penitence of Saint Jerome was made by Joachim Patinir in the year 1512. Bitdi 500 years old original was made with the dimensions Shaped top: central panel, overall, with engaged frame, 46 1/4 x 32 in (117,5 x 81,3 cm); each wing, overall, with engaged frame, 47 1/2 x 14 in (120,7 x 35,6 cm). Taxta üzərində yağ was applied by the European artist as the technique for the piece of art. Moveover, the piece of art can be viewed in in the Metropolitan İncəsənət Muzeyi Dünyanın ən böyük və ən gözəl incəsənət muzeylərindən biri olan, tarixdən əvvəlki dövrdən bu günə qədər və dünyanın hər yerindən beş min illik dünya mədəniyyətini əhatə edən iki milyondan çox sənət əsərini özündə əks etdirən rəqəmsal kolleksiya.. Nəzakətlə: Metropolitan İncəsənət Muzeyi, Nyu-York, Fletçer Fondu, 1936 (lisenziyalı: ictimai sahə). : Fletcher Fund, 1936. Besides, the alignment is in landscape format və yan nisbətə malikdir 4: 3, bunu nəzərdə tutur uzunluğu enindən 33% uzundur. The Netherlandish painter Joachim Patinir was a European artist from the Netherlands, whose artistic style was mainly Northern Renaissance. The Dutch painter lived for 9 il 1515-cü ildə anadan olub, 1524-ci ildə vəfat edib.

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• Kətan çapı: A canvas direct print is a printed canvas mounted on a wood stretcher. A canvas of this artwork will provide you with the chance of transforming your fine art print into a large size artwork. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up the Canvas print without extra wall-mounts. Because of thata canvas print is suited for all types of walls.
• Akril şüşə üzərində çap (əsl şüşə örtüyü ilə): The acrylic glass print, which is sometimes referred to as a plexiglass print, will turn your favorite original artwork into brilliant wall décor and makes a great alternative to dibond and canvas art prints. The artwork will be custom-made with the help of modern UV direct print technology. This creates rich, impressive color shades. The major benefit of an acrylic glass print is that sharp contrasts plus color details become exposed thanks to the very subtle gradation of the print.
• Alüminium dibond (metal çap): These are metal prints on aluminium dibond material with an outstanding depth - for a modern look and a non-reflective surface. For your Print On Aluminum Dibond, we print the selected work of art onto the aluminium surface. The colors of the print are vivid and luminous in the highest definition, fine details of the print are crisp, and you can feel the matte appearance.
• Plakat (kətan materialı): Our poster print is a printed canvas with a slightly roughened finish on the surface, that resembles the actual masterpiece. A printed poster is perfectly appropriate for framing your art copy with the help of a custom-made frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm around the painting, which facilitates the framing.

Hüquqi qeyd: We try our best to depict our products in as much detail as it is possible and to showcase them visually. Please bear in mind that the pigments of the print products and the imprint can diverge to a certain extent from the presentation on your screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Given that the art prints are processed and printed manually, there might as well be minor differences in the motif's size and exact position.

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Muzeydən əlavə spesifikasiyalar (© - Metropolitan İncəsənət Muzeyi tərəfindən - Böyükşəhər İncəsənət Muzeyi)

Acknowledging Patinir’s leading role in a new genre, Albrecht Dürer referred to the artist in 1521 as the "good landscape painter." This intact altarpiece was probably a German commission, since its exterior wings show Sebald, patron saint of Nuremberg, and Saint Anne with the Virgin and Child. Following Netherlandish tradition, large-scale sacred figures dominate the foreground of the interior: Saint John baptizing Christ, Saint Jerome, and Saint Anthony the Hermit with the monsters that assailed him. The picture’s true subject, however, is the magnificent panoramic landscape, which the viewer is encouraged to travel through visually in the manner of a pilgrimage.