Anne-Louis Girodet de Roucy-Trioson, 1809 - Qahirədə üsyan üçün eskiz - təsviri sənət çapı

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In 1809 bu kişi rəssam Anne-Louis Girodet de Roucy-Trioson made this 19th century artpiece. The 210 şah əsərin bir illik versiyası ölçüyə malikdir: Çərçivəli: 25 x 33 x 6,5 sm (9 13/16 x 13 x 2 9/16 düym); Çərçivəsiz: 15,2 x 23,3 sm (6 x 9 3/16 düym) və vasitə ilə rənglənmişdir oil on paper, mounted on paper and canvas. Bu gün sənət əsərinə daxildir Klivlend İncəsənət Muzeyi Rəqəmsal kolleksiya, dünyanın bütün dövrlərinə və bölgələrinə aid görkəmli sənət kolleksiyalarını quran, qoruyan, öyrənən və paylaşan, yeni təqaüd və anlayış yaradan, eyni zamanda onun üçün sosial və intellektual mərkəz kimi xidmət edən dünyanın aparıcı muzeylərindən biridir. icma. Nəzakətlə Klivlend İncəsənət Muzeyi (lisenziyalı - ictimai sahə). Əsərin kredit xətti belədir: Gift of Eugene Victor Thaw. Üstəlik, uyğunlaşma landşaft və nisbətinə malikdir 3: 2, Bu o deməkdir ki, uzunluğu enindən 50% uzundur. The writer, painter Anne-Louis Girodet de Roucy-Trioson was a European artist from France, whose art style was primarily Neoclassicism. The European painter lived for a total of 57 il və ildə anadan olub 1767 in Montargis, Centre region, France and deceased in the year 1824 in Paris, Ile-de-France, France.

Supplemental description from The Cleveland Museum of Art website (© Müəlliflik hüququ - Klivlend İncəsənət Muzeyi - www.clevelandart.org)

Several months after Napoleon's 1798 invasion of Egypt, rebellion erupted in Cairo. French troops viciously suppressed the uprising, including a massacre in the Al-Azhar Mosque of Mamelukes, an all-male group of warriors who occupied much of the Middle East at the time. Napoleon chose this subject for the artist, but because no documentation or eyewitness reports survived, Girodet freely interpreted the event. Interest in Mamelukes gripped France at this time. To ensure a steady supply of new recruits, Mamelukes enslaved and trained boys from across the Ottoman Empire, and the group at the right demonstrates Girodet's fascination with their racial diversity and perceived homoeroticism.

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• Akrilik şüşə çap: The print on acrylic glass, often referred to as a plexiglass print, will convert your favorite artwork into great home décor. In addition to that, it is a good alternative to canvas or aluminium dibond art prints. Your favorite artwork is manufactured thanks to the help of state-of-the-art UV direct printing technology. This has the effect of deep, vivid colors. The major benefit of an acrylic glass art print is that contrasts plus granular color details will be more identifiable thanks to the granular tonal gradation.
• Kətan: A canvas direct print is a printed canvas mounted on a wooden stretcher. A canvas has the distinctive effect of three dimensionality. What is more, printed canvas makes a charming and comfortable look. Your canvas print of this artwork will allow you to transform your into a large artwork as you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for all types of walls.
• Poster çapı (kətan materialı): Our poster print is a printed canvas with a slightly roughened surface finish. The poster print is appropriate for framing the art replica with a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the work of art in order to facilitate the framing.
• Alüminium çap (alüminium dibond): These are metal prints on aluminium dibond material with a true depth. The Direct Print on Aluminum Dibond is your ideal start to fine reproductions produced with aluminum. For the Print On Aluminum Dibond, we print the chosen artwork right onto the surface of the white-primed aluminum. The white & bright parts of the work of art shine with a silk gloss, however without any glare.

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Hüquqi qeyd: We try everythig possible to depict the products with as many details as possible and to exhibit them visually on the various product detail pages. Still, the pigments of the printed materials and the printing can vary somehwat from the representation on the screen. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed as exactly as the digital version. In view of the fact that all art reproductions are processed and printed by hand, there may as well be minor deviations in the motif's size and exact position.

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