Ernest Lawson, 1910 - Gnarled ağacları ilə mənzərə - təsviri sənət çapı

Landscape with Gnarled Trees tərəfindən sənət əsəridir Amerika rəssam Ernest Lawson 1910-ci ildə. Orijinal ölçüsü ölçür Ümumi: 20 x 23 7/8 düym (50,8 x 60,6 sm) və ilə boyanmışdır texnika of kommersiya divar lövhəsində yağ. It is included in the digital collection of Barnes Foundation in Philadelphia, Pennsylvania, Amerika Birləşmiş Ştatları. Nəzakətlə Barnes Fondunun izni ilə, Merion və Filadelfiya, Pensilvaniya (public domain license).: . In addition to that, the alignment of the digital reproduction is in landscape format with a ratio of 1.2 : 1, which means that the length is 20% longer than the width. Ernest Lawson was a painter, whose art style can primarily be attributed to Realism. The American painter lived for a total of 66 il - 1873-ci ildə anadan olub, 1939-cu ildə vəfat edib.

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Hər bir məhsul üçün müxtəlif materiallar və ölçülər təklif edirik. Aşağıdakı ölçülər və materiallar fərdiləşdirmə üçün sizə təklif etdiyimiz seçimlərdir:

• Kətan çapı: A canvas print is a printed cotton canvas mounted on a wooden frame. Canvas Prints have the advantage of being relatively low in weight, which means that it is easy to hang up your Canvas print without the use of additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
• Alüminium çap (alüminium dibond): Aluminium Dibond prints are metal prints with a true depth effect. A direct Direct Print on Aluminum Dibond is the perfect introduction to art replicas on aluminum. For the Print On Aluminum Dibond, we print the selected work of art onto the aluminium surface. The direct UV print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase fine art prints, since it puts all of the viewer’s attention on the image.
• Kətan materialı üzərində poster: The poster print is a printed flat canvas paper with a slightly rough surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the artwork to facilitate the framing with your custom frame.
• Akril şüşə çapı (əsl şüşə örtüyü ilə): An print on acrylic glass, which is sometimes labelled as a plexiglass print, makes your favorite original artwork into stunning wall décor. Moreover, the acrylic fine art print offers a viable alternative to aluminium and canvas fine art prints. The work of art will be made with state-of-the-art UV direct print technology. The special effect of this are vivid, impressive colors. With an acrylic glass art print contrasts plus color details will be more identifiable with the help of the delicate tonal gradation of the print. Our real glass coating protects your custom art print against light and heat for many more years to come.

Hüquqi imtina: We try everythig possible in order to depict the art products in as much detail as possible and to exhibit them visually. Although, the colors of the print products, as well as the printing might vary somehwat from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments will be printed one hundret percent realistically. Since all fine art prints are printed and processed manually, there may as well be slight differences in the motif's exact position and the size.

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Original artwork specifications by Barnes Foundation (© Müəlliflik hüququ - Barnes Fondu tərəfindən - Barnes Foundation)

Ernest Lawson's colorful variations on the French impressionist technique had a lasting influence on Barnes's thinking about color. Born in Halifax, Nova Scotia, in 1873, Lawson lived and worked in the United States, claiming to have been born in San Francisco. In 1893, during his first stay in France, he sought out Alfred Sisley and painted the landscape around Moret-sur-Loing, where the famous impressionist lived. He returned to paint in France for two years, 1895 and 1896, moving to New York in 1898.Such Lawsons as Landscape with Gnarled Trees stress rugged application of rich, unctuous pigment, sinuous drawing, especially of trees, and a vivid, light-saturated freshness of color across their built-up surfaces. The presence of these and other Lawsons, hung side by side with the European and American moderns in the decade 1912 to 1922, struck a responsive chord and opened the way for Barnes's appreciation of the powerful, even explosive, turbulent color rhythms of the Lithuanian artist Chaim Soutine. Lawson's art, then, played an essential, if unacknowledged, role in kindling Barnes's receptivity to Soutine's profound originality and, thus, in shaping his collection.Richard J. Wattenmaker, American Paintings and Works on Paper in the Barnes Foundation (Merion, PA: The Barnes Foundation; New Haven: Yale University Press, 2010), 183-6.