James McNeill Whistler, 1873 - Boz və Qara rəngdə aranjıman üçün araşdırma, № 2: Tomas Karlaylın portreti - təsviri sənət çapı

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The 19th əsr sənət əsəri tərəfindən çəkilmişdir James McNeill Whistler in 1873. The over 140 year old original had the following size: 28,6 × 21 cm (11 1/4 × 8 1/4 in) and was manufactured with the texnika kətan üzərində yağlı boya. Signed at right with butterfly was the masterpiece's original inscription. Nowadays, this artwork is included in the Çikaqo İncəsənət İnstitutu rəqəmsal incəsənət kolleksiyası Çikaqo, İllinoys, Amerika Birləşmiş Ştatları. Bu müasir incəsənət ictimai şah əsəri nəzakətlə təmin edilir Çikaqo İncəsənət İnstitutu. Əsərin kredit xətti belədir: Emily Crane Chadbourne-nin hədiyyəsi. Bundan əlavə, uyğunlaşma var portret format nisbəti ilə 1: 1.4, yəni mənasını verir uzunluğu enindən 29% qısadır. The writer, illustrator, painter, etcher, lithographer James McNeill Whistler was an artist, whose style can mainly be attributed to Symbolism. The artist was born in the year 1834 in Lowell, Middlesex county, Massachusetts, United States and passed away at the age of 69 in the year 1903 in London, Greater London, England, United Kingdom.

General information from the museum's website (© - by Art Institute Chicago - Çikaqo İncəsənət İnstitutu)

In 1872, James McNeill Whistler began a large-scale portrait of Scottish historian and philosopher Thomas Carlyle, who lived near the artist in London. Whistler executed several studies, including this one, which strongly resembles the finished painting. Carlyle endured numerous sittings, as Whistler labored over the portrait with particular emphasis on the aesthetics of the sitter’s black coat. Concerned with harmonious arrangements of color and form, the artist was less interested in depicting the details of Carlyle’s face. The composition is strikingly similar to Whistler’s Arrangement in Grey and Black: Portrait of the Artist’s Mother (1871; Musée d’Orsay), also known as Whistler’s Mother.

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