Goya - Narcisa de Goicoechea Barañano - təsviri sənət çapı

Background information on the artwork titled "Narcisa de Goicoechea Barañano"

Bu sənət əsəri Narcisa de Goicoechea Barañano tərəfindən yaradılmışdır Goya. Sənət əsərinin versiyası aşağıdakı ölçüdə rənglənmişdir: 44 1/4 x 30 3/4 düym (112,4 x 78,1 sm). Oil on canvas was used by the European painter as the medium of the artpiece. The piece of art is in the the Metropolitan İncəsənət Muzeyi sənət kolleksiyası. Nəzakətlə - Metropolitan İncəsənət Muzeyi, Nyu-York, HO Havemeyer Kolleksiyası, Xanım HO Havemeyerin vəsiyyəti, 1929 (ictimai domen lisenziyası). Creditline of the artwork: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. The alignment of the digital reproduction is in portret format və 1 : 1.4 aspekt nisbətinə malikdir ki, bu da uzunluğun enindən 29% qısa olduğunu göstərir.

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Hər bir məhsul üçün müxtəlif ölçülər və materiallar təklif edirik. Biz sizə aşağıdakı variantlardan seçim etməyə imkan veririk:

• Afişa çapı (kətan materialı): The poster print is a UV printed sheet of canvas paper with a nice texture on the surface. A poster print is excellently used for putting your art copy with the help of a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print in order to facilitate the framing.
• Alüminium dibond çap: Aluminium Dibond prints are prints on metal with an outstanding depth - for a modern impression and a non-reflective surface. For the Direct Print On Aluminum Dibond, we print the favorite artpiece right onto the aluminium composite white-primed surface. Colors are luminous, fine details appear very clear, and there’s a matte appearance that you can literally feel.
• Kətan çapı: The printed canvas, not to be mistaken with a canvas painting, is a digital replica printed from a UV direct printer. Besides, canvas makes a cosy and enjoyable look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of extra wall-mounts. Because of thatcanvas prints are suitable for all types of walls.
• Akrilik şüşə çap: An print on acrylic glass, often labelled as a plexiglass print, will change your favorite original work of art into brilliant home décor and forms a good alternative option to canvas and dibond fine art replicas. Your work of art will be printed with the help of modern UV direct printing machines. This makes sharp and rich color tones. With an acrylic glass fine art print contrasts as well as artwork details will be more visible due to the very subtle gradation in the print. Our acrylic glass protects your chosen art print against sunlight and heat for many years to come.

Əhəmiyyətli hüquqi qeyd: We try all that we can to describe the art products as accurately as possible and to demonstrate them visually. Still, the pigments of the print products and the printing may differ marginally from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, colors might not be printed 100% realistically. Given that the fine art prints are processed and printed by hand, there may also be minor differences in the motif's size and exact position.

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Müəlliflik hüququ © - Artprinta.com (Artprinta)

Additional description as provided from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Böyükşəhər İncəsənət Muzeyi)

This painting first came to light in 1900, when it was lent to the large Goya exhibition in Madrid as the pendant to a portrait of the sitter's husband, Juan Bautista de Goicoechea y Urrutia. Juan Bautista was appointed Minister of War to Ferdinand VII in 1815 and in his portrait (now in the Staatliche Kunsthalle, Karlesruhe) wears the order of Charles III, received in the same year. He was apparently distantly related to Gumersinda Goicoechea, who married Goya's son Javier in 1805. Our portrait may have been painted close to the time of Javier's marriage, but was certainly executed by 1815/16.Despite the signature on the ring—a favorite device of Goya's—the attribution of this portrait has recently been questioned by some authorities.