Rembrandt van Rijn, 1650 - Hendrickje Stoffels (1626-1663) - təsviri sənət çapı

Things you should know about the art replica of the painting titled Hendrickje Stoffels (1626-1663)

Bu klassik sənət şah əsəri Hendrickje Stoffels (1626-1663) was created by the Dutch painter Rembrandt van Rijn. The more than 370 illik orijinal ölçüsü ölçür: 30 7/8 x 27 1/8 düym (78,4 x 68,9 sm) və vasitə ilə rənglənmişdir kətan yağ. Bundan əlavə, bu sənət əsəri Metropolitan İncəsənət Muzeyi digital collection. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926 (ictimai domen). Əsərin kredit xətti: Archer M.Hantinqtonun atası Kollis Potter Hantinqtonun xatirəsinə hədiyyəsi, 1926. Rəqəmsal reproduksiyanın uyğunlaşdırılmasıdır portret və nisbətinə malikdir 1: 1.2, which means that the length is 20% shorter than the width. The painter Rembrandt van Rijn was an artist, whose artistic style was primarily Baroque. The artist was born in 1606 Leydendə vəfat edib 63 1669 edir.

Seçdiyiniz materialı seçin

Hər bir məhsul üçün müxtəlif ölçülər və materiallar təklif edirik. Biz sizə aşağıdakı variantlardan seçim etməyə imkan veririk:

• Akril şüşə çapı (əsl şüşə örtüyü ilə): The acrylic glass print, often labelled as a plexiglass print, transforms your favorite original into great décor. The artwork is being made thanks to the help of state-of-the-art UV printing machines. It makes impressive and rich color hues. Our real glass coating protects your selected fine art print against sunlight and heat for decades.
• Alüminium dibond çap: Aluminium Dibond prints are metal prints with an impressive depth - for a modern look and non-reflective surface. The Aluminium Dibond Print is the excellent introduction to fine art replicas made on aluminum. Colors are bright and vivid, the details appear crisp and clear, and you can feel a matte appearance of the print. The print on Aluminum Dibond is one of the most popular entry-level products and is a sophisticated way to showcase fine art reproductions, since it draws attention on the whole artwork.
• Kətan: A canvas print, which should not be confused with a real canvas painting, is a digital image applied onto canvas material. A canvas generates the unique impression of three-dimensionality. Besides, canvas generates a lovely and pleasing impression. A canvas of your favorite masterpiece will allow you to transform your fine art print into a large artwork as you would see in a true gallery. Hanging your canvas print: A canvas print has the advantage of being low in weight, which means that it is easy and straightforward to hang the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
• Çap edilmiş poster (kətan materialı): The poster is a printed flat canvas with a slightly roughened surface finish. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif in order to facilitate the framing.

Hüquqi qeyd: We try all that we can in order to depict our art products with as many details as possible and to illustrate them visually. At the same time, the colors of the printed materials, as well as the printing may diverge to a certain extent from the representation on the screen. Depending on your screen settings and the quality of the surface, colors might not be printed one hundret percent realistically. Bearing in mind that all fine art prints are printed and processed by hand, there may also be minor deviations in the motif's exact position and the size.

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Strukturlaşdırılmış incəsənət məlumatları

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© Müəlliflik hüququ - Artprinta (www.artprinta.com)

İncəsənət əsəri haqqında orijinal məlumat Metropolitan İncəsənət Muzeyinin saytından (© Müəlliflik hüququ - Metropolitan İncəsənət Muzeyi - Böyükşəhər İncəsənət Muzeyi)

Hendrickje Stoffels, the daughter of a soldier, worked as Rembrandt’s housekeeper, eventually becoming his common-law wife and mother of his daughter, Cornelia. While no formal portraits of Stoffels survive, she is believed to have modeled for a number of Rembrandt’s paintings, including this work, perhaps intended as a generic image of a courtesan. The figure’s intimate gesture of holding her robe closed with one hand echoes the close observations Rembrandt made of the women in his household in many surviving drawings.