Bartolomeo Cavarozzi, 1615 - Üzüm üzümləri və meyvələri, Üç Quyruqlu - təsviri sənət çapı

Metropolitan İncəsənət Muzeyinin vebsaytından əlavə məlumat (© - Metropolitan İncəsənət Muzeyi tərəfindən - Böyükşəhər İncəsənət Muzeyi)

More than a still life, the picture is a record of a variety of grapes and other fruits and reflects a moment when art and the natural sciences intersect. Cavarozzi spent time in the academy established by the noble-born Giovanni Battista Crescenzi for the purpose of studying nature. The still-life details of his painting are astonishingly rendered and were important for the history of still-life painting in both Italy and Spain, where he accompanied Crescenzi in 1617–19. The birds have been identified as pied wagtails, common to yards, gardens, and stone walls.

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The 17th əsr sənətkarın şah əsəri olmuşdur Bartolomeo Kavarozzi. Bu 400 years old version of the painting had the following size: 40 × 61 3/4 in (101,6 × 156,8 cm) and was painted with the texnika kətan yağ. Bundan əlavə, sənət əsəri incəsənət kolleksiyasının bir hissəsidir Böyükşəhər İncəsənət Muzeyi in New York City, New York, Amerika Birləşmiş Ştatları. Nəzakətlə - The Metropolitan Museum of Art, New York, Gift of Claire and Giovanni Sarti, in honor of Keith Christiansen, 2016 (ictimai domen). The creditline of the artwork is the following: Gift of Claire and Giovanni Sarti, in honor of Keith Christiansen, 2016. Moreover, alignment of the digital reproduction is in landşaft format və yan nisbətə malikdir 3: 2, which implies that the length is 50% longer than the width. The painter Bartolomeo Cavarozzi was an artist from Italy, whose artistic style can be attributed primarily to Baroque. The Baroque painter was born in the year 1587 in Viterbo, Viterbo province, Lazio, Italy and passed away at the age of 38 1625-ci ildə Roma, Roma əyaləti, Latsio, İtaliya.

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Hər təsviri sənət çapı üçün biz müxtəlif ölçülər və materiallar təklif edirik. Beləliklə, biz sizə aşağıdakı variantlardan birini seçməyə icazə veririk:

• Alüminium dibond çap: These are metal prints on aluminium dibond with a true depth effect. A non-reflective surface creates a modern look. A direct Aluminium Dibond Print is your perfect start to art replicas produced on aluminum. The bright and white parts of the work of art shimmer with a silk gloss but without any glare. The colors of the print are luminous and vivid, the details appear very clear, and there’s a matte appearance you can literally feel. This print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to display artworks, since it draws focus on the artwork.
• Akrilik şüşə çap: An print on acrylic glass, which is sometimes named as a plexiglass print, will transform the original artwork into magnificient décor and offers a viable alternative to aluminium and canvas prints. The work of art is being custom-made with modern UV print technology. With an acrylic glass art print contrasts as well as smaller details become more recognizeable because of the very fine gradation. The plexiglass protects your selected art print against sunlight and heat for many more years to come.
• Poster çapı (kətan materialı): Our poster print is a UV printed canvas paper with a nice texture on the surface. The poster print is ideally suited for putting the art replica using a customized frame. Please keep in mind, that depending on the size of the poster we add a white margin 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Kətan: A printed canvas stretched on a wooden frame. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. A canvas print is suitable for any type of wall in your house.

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Legal disclaimer: We try everything in order to depict our art products as closely as possible and to display them visually. Nevertheless, the colors of the print products, as well as the printing may differ to a certain extent from the representation on the screen. Depending on the screen settings and the nature of the surface, color pigments might not be printed as realistically as the digital version shown here. Since all our fine art prints are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

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