Lodovico Carracci, 1593 - İsgəndəriyyə Müqəddəs Yekaterinasının Yuxusu - təsviri sənət çapı

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The klassik sənət tərəfindən yaradılmışdır italyan rəssam Lodoviko Karrakçi in 1593. This artpiece is included in the collection of Milli Sənət Qalereyası, sənət əsərlərini qoruyan, toplayan, nümayiş etdirən və başa düşməyi təşviq edən ABŞ-Amerika millətinin muzeyidir. Nəzakətlə: Milli İncəsənət Qalereyası, Vaşinqton (ictimai domen).Əsərin kredit xətti aşağıdakı kimidir: . Rəqəmsal reproduksiyanın düzülüşü portretdədir format və yan nisbətə malikdir 1: 1.2, Bu o deməkdir ki, uzunluğu enindən 20% qısadır. The painter, graphic artist, etcher Lodovico Carracci was an artist, whose artistic style can primarily be classified as Baroque. The Baroque artist lived for a total of 64 il - born in 1555 in Bologna, Bologna province, Emilia-Romagna, Italy and died in 1619 in Bologna, Bologna province, Emilia-Romagna, Italy.

What does the National Gallery of Art state about this work of art painted by Lodovico Carracci? (© Müəlliflik hüququ - Milli İncəsənət Qalereyası - Milli Sənət Qalereyası)

We recognize this sleeping figure as Saint Catherine by the fragment of spiked wheel in the lower left corner, which was the instrument of an attempted martyrdom. Here Lodovico Carracci represented her legendary dream in which Mary and the infant Christ, accompanied by angels, appeared to her. Plighting his troth, Christ placed a ring on Catherine's finger, and through this mystic marriage she became his bride. To cast the event as a dream, rather than having Saint Catherine receive the ring while awake, is Lodovico's innovation.

Two angels at the left look on with protective tenderness, while others barely emerge amid the vaporous bronze radiance at the right -- spirit becoming matter. The figures, solid and robust, bask in an indeterminate setting. A languorous warmth pervades the scene and slows the composition. At the same time, the quirky folds and pleats cascading down Catherine's garments impart a vertiginous sensation -- the dizziness of sleep.

Lodovico was the eldest of the three Carracci, the family of Bolognese artists who inaugurated the age of the baroque. His depictions of saints in states of visionary ecstasy were highly prized in an age when the purpose of religious art was to arouse intensely pious emotions in the spectator.

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• Kətan: The canvas direct print is a printed cotton canvas mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without any wall-mounts. Hence, a canvas print is suited for all kinds of walls.
• Çap edilmiş poster (kətan materialı): The Artprinta poster is a UV printed canvas with a slightly roughened surface finish. It is best appropriate for placing your art print with the help of a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the work of art in order to facilitate the framing.
• Metal (alüminium dibond çap): This is a metal print manufactured on aluminium dibond material with an impressive effect of depth - for a modern impression and non-reflective surface structure. The bright and white parts of the artpiece shimmer with a silky gloss but without the glow. Colors are luminous and vivid, the details of the print appear very clear. The UV print on aluminium is one of the most popular entry-level products and is a truly sophisticated way to showcase art reproductions, as it draws focus on the whole artwork.
• Akril şüşə üzərində çap (əsl şüşə örtüyü ilə): An acrylic glass print, often named a fine art print on plexiglass, makes the original into gorgeous wall décor. The work of art will be made with the help of state-of-the-art UV printing machines. The special effect of this are intense and deep color tones. With a glossy acrylic glass art print contrasts and also minor image details become recognizeable thanks to the granular gradation. Our plexiglass with real glass coating protects your selected art replica against light and heat for up to six decades.

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