John Constable, 1828 - Branch Hill Pond, Hampstead - təsviri sənət çapı

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190 ildən çox yaşı olan sənət əsəri rəssam tərəfindən çəkilmişdir Britaniyalı rəssam Con Constable. Bitdi 190 year old original version had the following size Çərçivəli: 89 x 105,5 x 11,5 sm (35 1/16 x 41 9/16 x 4 1/2 düym); Çərçivəsiz: 60,6 x 78,1 sm (23 7/8 x 30 3/4 düym) and was manufactured with the medium oil on canvas. The artwork is in the the Klivlend İncəsənət Muzeyi collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The public domain piece of art is included with courtesy of Klivlend İncəsənət Muzeyi. Əsərin kredit xətti: Leonard C. Hanna, Jr. Fond. Bundan əlavə, uyğunlaşma var landşaft format nisbəti ilə 4: 3, meaning that the length is 33% longer than the width. The painter John Constable was an artist, whose art style can be attributed mainly to Romanticism. The Romanticist painter was born in the year 1776 in East Bergholt, Suffolk, England, United Kingdom and passed away at the age of 61 1837 ildə.

Klivlend İncəsənət Muzeyindən sənət əsəri haqqında orijinal məlumat (© Müəlliflik hüququ - Klivlend İncəsənət Muzeyi tərəfindən - www.clevelandart.org)

From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches, and paintings of the surrounding landscape. In this painting, the atmosphere plays a dominant role. The artist meticulously observed and recorded cloud formations, weather conditions, and natural light effects; he believed an accurate rendering of these constantly shifting elements could transmit the vitality and freshness that was so important to his vision of the English countryside. Constable's insistently overcast skies, with rain or the promise of rain, were distinctly British, and his treatment of them is how he distanced himself from the more temperate Italianate landscapes, seen in the golden glow of sky in paintings by Richard Wilson, Thomas Gainsborough, and John Martin that many still considered the ideal of natural beauty.

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• Afişa çapı (kətan materialı): Our poster print is a printed sheet of flat canvas paper with a slightly roughened texture on the surface. It is used for putting your art copy using a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
• Alüminium dibond çap: An Aluminium Dibond print is a print material with a true depth. Its non-reflective surface creates a contemporary look. The bright parts of the original artwork shimmer with a silky gloss but without the glare.
• Çap edilmiş akril şüşə: A glossy acrylic glass print, which is often referred to as a an art print on plexiglass, transforms your favorite original artwork into gorgeous décor and makes a great alternative option to canvas or aluminium dibond fine art replicas. Your favorite work of art is manufactured with the help of state-of-the-art UV direct print technology. The great upside of an acrylic glass print is that contrasts and minor image details become visible thanks to the delicate tonal gradation in the print. Our plexiglass with real glass coating protects your chosen art replica against light and external influences for many more years.
• Kətan: The canvas print, which should not be mistaken with a canvas painting, is an image printed on an industrial printing machine. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.

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Hüquqi imtina: We try whatever we can in order to depict our products with as many details as possible and to demonstrate them visually on the different product detail pages. At the same time, the tone of the print products and the print result may diverge to a certain extent from the image on the device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments might not be printed 100% realistically. Bearing in mind that our fine art prints are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

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