John Wootton, 1748 - Qaraçılarla Klassik Mənzərə - təsviri sənət çapı

Seçə biləcəyiniz məhsul materialları:

Məhsulun açılan menyusu sizə istədiyiniz ölçü və materialı seçmək şansı verir. Aşağıdakı məhsulun fərdiləşdirmə variantları arasından sevimli ölçü və materialı seçməyə imkan veririk:

• Alüminium dibond çap: Aluminium Dibond prints are metal prints with a true effect of depth. Its non-reflective surface structure creates a fashionable impression. A direct Direct Print on Aluminum Dibond is your ideal start to art replicas manufactured on aluminum. For the Direct Aluminium Dibond print, we print the artpiece right on the aluminium white-primed surface. The bright and white parts of the original artpiece shimmer with a silk gloss but without glare. The colors of the print are luminous and vivid in the highest definition, the fine details of the print appear clear and crisp, and you can notice the matte appearance of the surface.
• Çap edilmiş akril şüşə: A glossy acrylic glass print, which is often named as a fine art print on plexiglass, changes the original artwork into décor. Your work of art will be printed with state-of-the-art UV print technology. It creates sharp, vibrant print colors. The great benefit of a plexiglass fine art print is that sharp contrasts as well as granular painting details will be more visible with the help of the subtle gradation.
• Kətan çapı: The UV printed canvas mounted on a wooden stretcher frame. Besides, canvas print makes a attractive, positive ambience. Your canvas of your favorite work of art will allow you to transform your into a large work of art like you would see in a gallery. Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the use of any wall-mounts. Canvas prints are suited for any kind of wall.
• Afişa çapı (kətan materialı): The Artprinta poster print is a printed canvas with a fine finish on the surface, which resembles the actual work of art. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing.

Əhəmiyyətli hüquqi qeyd: We try everythig possible in order to depict our products as clearly as possible and to display them visually. Please bear in mind that the pigments of the print materials, as well as the imprint may vary to a certain extent from the image on the device's monitor. Depending on the settings of your screen and the condition of the surface, colors might not be printed as realistically as the digital version shown here. Considering that all the fine art prints are printed and processed manually, there may also be slight variations in the exact position and the size of the motif.

Metropolitan İncəsənət Muzeyi tərəfindən əlavə sənət məlumatları (© - Metropolitan İncəsənət Muzeyi - Böyükşəhər İncəsənət Muzeyi)

This painting, signed and dated 1748, was made as an overmantel for the dining room of Kirtlington Park, built by Sir James Dashwood. In a ledger he titled "A Generall Account of Money Expended on my New-house, and the outworks about it, begun 12: September: 1741" [photocopy in departmental files], Dashwood recorded a payment on March 27, 1749 to Wootton, presumably for this picture. The amount is large, over fifty pounds, indicating that Wootton's popularity among the nobility enabled him to set his prices as he wished. A watercolor of 1876 by Susan Alice Dashwood (MMA 1993.28; see Images) depicts the dining room of Kirtlington Park with this painting above the fireplace at left. The picture remained in place until 1931, when the entire room was acquired by the Metropolitan Museum.Two similar classical landscapes, Morning and Evening, were painted by Wootton for Sir John Shelley of Maresfield Park, Sussex (Yale Center for British Art, New Haven). Arline Meyer [see Ref. 1984] mentions a small, more broadly painted variant of the present painting at Petworth (now private collection), another version with Sidney Sabin in the mid-1960s, and a third sold at Christie's, London, March 23, 1979, no. 82. There also seems to have been a version in the collection of the Duke of Bedford [see Walter Shaw Sparrow, British Sporting Artists from Barlow to Herring, London, 1965, pp. 100–101].

İncəsənət məhsulunun xüsusiyyətləri

bu klassik sənət tərəfindən yaradılmışdır John Wootton in 1748. The version of the work of art has the size Overall: 55 1/4 × 51 3/8 in (140,3 × 130,5 cm). Kətan üzərində yağ was used by the European artist as the medium of the artpiece. Nowadays, the work of art is in the the The Metropolitan Museum of Art's digital art collection, which is located in New York City, New York, Amerika Birləşmiş Ştatları. Nəzakətlə - Metropolitan İncəsənət Muzeyi, Nyu-York, Fletcher Fondu, 1931 (lisenziyalı - ictimai sahə). Furthermore, the work of art has the creditline: Fletcher Fund, 1931. Moreover, alignment of the digital reproduction is kvadrat və şəkil nisbətinə malikdir 1: 1, bunu nəzərdə tutur uzunluğu eninə bərabərdir. The painter John Wootton was an artist, whose style can mainly be classified as Baroque. The painter lived for a total of 83 il - anadan olub 1681 in Warwicks and died in 1764 in London.

İncəsənət əsəri haqqında məlumat

Məqalə cədvəli

Rəssam xülasəsi

Bu mətnin müəllif hüquqları qorunur © | Artprinta (www.artprinta.com)