Bartolomé Esteban Murillo, 1670 - Laban oğurlanmış məişət tanrılarını axtarır - təsviri sənət çapı

Additional information on the original artwork from The Cleveland Museum of Art (© Müəlliflik hüququ - Klivlend İncəsənət Muzeyi tərəfindən - Klivlend İncəsənət Muzeyi)

This story comes from the Old Testament book of Genesis and stresses the value of reconciliation. Jacob lived with his uncle Laban for years, marrying Laban’s daughters Rachel and Leah. When the relationship between the men soured, Jacob and his family departed, while Rachel secretly stole her father’s household gods. When Laban discovered that the statues were missing, he pursued Jacob, accusing him of theft. Here, Jacob invites Laban to search his tent, while Rachel sits on the saddlebag containing the statues. After coming up empty-handed, Laban proposes a truce, ending the squabble.

Laban Searching for his Stolen Household Gods bədii surət kimi

In 1670 the Spanish artist Bartolomé Esteban Murillo made this painting. The 350 year old masterpiece had the size: Framed: 278 x 398 x 14 cm (109 7/16 x 156 11/16 x 5 1/2 in); Unframed: 243 x 362 cm (95 11/16 x 142 1/2 in). Kətan üzərində yağ was used by the Spanish artist as the medium of the painting. It can be viewed in in the Klivlend İncəsənət Muzeyi digital art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Klivlend İncəsənət Muzeyi (lisenziya: ictimai sahə). Əsərin kredit xətti: John Huntington İncəsənət və Politexnik Trestinin hədiyyəsi. Bundan əlavə, uyğunlaşma var landşaft format və nisbətinə malikdir 3: 2, bunu nəzərdə tutur uzunluğu enindən 50% uzundur. Bartolomé Esteban Murillo was a male painter, whose art style can mainly be assigned to Baroque. The European painter was born in 1617 in Seville and passed away at the age of 65 in the year 1682.

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• Parlaq akril şüşə çapı (əsl şüşə örtüyü ilə): An print on acrylic glass, which is often denoted as a UV print on plexiglass, transforms your favorite original artwork into wonderful décor and forms a viable alternative option to canvas and dibond prints. The artwork will be made thanks to the help of modern UV direct printing machines. With an acrylic glass fine art print contrasts as well as minor artwork details will be more exposed thanks to the precise tonal gradation.
• Çap edilmiş poster (kətan materialı): A poster print is a printed canvas paper with a slight texture on the surface, that resembles the actual work of art. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
• Alüminium dibond çap: These are metal prints on aluminium dibond with an impressive effect of depth, which creates a modern impression with a non-reflective surface structure. The white & bright components of the work of art shimmer with a silky gloss but without glare. The direct UV print on aluminium is the most popular entry-level product and is an extremely sophisticated way to showcase art reproductions, as it puts the viewer’s focus on the artwork.
• Kətan çapı: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It produces a typical look of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Hence, a canvas print is suitable for any kind of wall.

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Disclaimer: We try in order to describe our art products in as much detail as possible and to exhibit them visually on the different product detail pages. Please bear in mind that the tone of the printing material, as well as the print result might differ to a certain extent from the representation on your screen. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Considering that all are processed and printed by hand, there may as well be minor deviations in the exact position and the size of the motif.

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