Bartolomé Pérez, 1680 - Yaxşı Məsləhətçi Xanımımız - təsviri sənət çapı

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• Kətan çapı: A printed canvas material stretched on a wood stretcher frame. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
• Kətan materialı üzərində poster çapı: The poster is a UV printed cotton canvas with a slightly roughened surface structure, that resembles the original work of art. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6 cm around the print, which facilitates the framing with a custom frame.
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• Akril şüşə çapı (əsl şüşə örtüyü ilə): A glossy print on acrylic glass, which is often described as a an art print on plexiglass, will change your favorite original work of art into beautiful home decoration. Further, it is a distinct alternative to canvas or aluminium dibond fine art prints. The acrylic glass protects your chosen art print against light and heat for many more years.

Əhəmiyyətli hüquqi qeyd: We try to depict our products as exact as possible and to illustrate them visually in our shop. Still, the pigments of the printed materials, as well as the print result may differ marginally from the representation on your device's screen. Depending on the settings of your screen and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that all our fine art prints are printed and processed manually, there might also be slight deviations in the motif's size and exact position.

What does the original description of the The Cleveland Museum of Art say about the 17th century work of art created by Bartolomé Pérez? (© - Klivlend İncəsənət Muzeyi - Klivlend İncəsənət Muzeyi)

This painting loosely and inventively depicts an actual chapel in the former Jesuit Imperial College in Madrid, which housed a Madonna and Child in gilded and painted wood, a focus of popular devotion. Pérez made temporary decorations for the Spanish court, none of which survive, but the fanciful architecture, curiously inverted obelisks, fruits and flowers, and pastel colors all stem from this side of his work. By representing a polychrome sculpture in two dimensions, Pérez further blurred boundaries between painting and sculpture. This intersection of the spiritual and the real worlds was important in Spanish art of the 1600s.

Background information on this artwork created by the Baroque painter Bartolomé Pérez

İldə 1680 Bartolomé Pérez created the baroque work of art. The artpiece was painted with the size: Çərçivəli: 50 x 40 sm (19 11/16 x 15 3/4 düym); Çərçivəsiz: 37 x 26 sm (14 9/16 x 10 1/4 düym). Mis üzərində yağ was applied by the Spanish painter as the technique for the artwork. The artwork's inscription is the following: signed lower left: "B.me. P.z D." In ribbon on top: N. Señora del /Buen Consejo Under figure at left: S. Franco Under figure at right: B.S. Luys. Gonzaga. This work of art is included in the digital art collection of The Cleveland Museum of Art. With courtesy of: Klivlend İncəsənət Muzeyi (lisenziyalı - ictimai sahə). Bundan əlavə, sənət əsərinin kredit xətti var: JH Wade Fondundan satın alın. Bundan əlavə, hizalanma var portret format yan nisbəti ilə 1: 1.4, which implies that the length is 29% shorter than the width. The painter Bartolomé Pérez was a European artist, whose artistic style can be classified as Baroque. The European painter was born in 1634 yaşında vəfat etmişdir 59 1693 ildə.

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