Aert van der Neer, 1650 - Gün batımında çay mənzərəsi - təsviri sənət çapı

Sənət məhsulunun təfərrüatları

In 1650 Aert van der Neer created this painting. The more than 370 year-old original has the following following dimensions - hündürlük: 46 sm eni: 63,5 sm | hündürlük: 18,1 eni: 25 düym. Oil on panel was applied by the European painter as the technique for the artwork. The original artwork is inscribed with the text - signed: AVDN. Daxildir Mauritshuis-in digital collection located in The Hague, South Holland, Netherlands. With courtesy of - Mauritshuis, Haaqa (ictimai domen). Sənət əsərinin kredit xətti belədir: Adriaen Blok, Haarlem, 1765; Andreas Bonn, Amsterdam; Baron Johan Gijsbert Verstolk van Soelen (1776-1845), The Hague; bought together with 42 other paintings from the Verstolk van Soelen Collection by Sir Thomas Baring (1772-1848), 2nd Bart., London & Stratton Park, Hampshire, 28 June 1846 (see W.H.J. Weale & J.P. Richter, A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, London 1889, pp. 202-203); by inheritance to Sir Francis Baring (1796-1866), 3rd Bart., and 1st Baron Northbrook, 1848-1866; by inheritance to Thomas George Baring (1826-1904), 1st Earl Northbrook, 1866-1904; by inheritance to Francis George Baring (1850-1929), 2nd Earl Northbrook, 1904-1929; by inheritance to his first cousin, Francis Arthur Baring; Frits Lugt, Maartensdijk and The Hague; sold by him to Eduard August Veltman (1878-1965), Bussum; sold together with 22 other paintings to Otto Wertheimer Gallery, Basel, 1951; purchased, 1953. Üstəlik, uyğunlaşma var landşaft format yan nisbəti ilə 1.4: 1, Bu o deməkdir ki, uzunluğu enindən 40% uzundur. The painter, drawer Aert van der Neer was a European artist from the Netherlands, whose style can mainly be classified as Baroque. The European artist was born in 1603 yaşında vəfat etmişdir 74 1677 ildə.

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Hər təsviri sənət çapı üçün müxtəlif ölçülər və materiallar təklif edirik. Şəxsi tələblərinizə mükəmməl uyğunlaşmaq üçün aşağıdakı məhsulun fərdiləşdirmə variantlarından birini seçə bilərsiniz:

• Akril şüşə çapı (əsl şüşə örtüyü ilə): An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes the original into marvellous décor. The work of art will be printed thanks to the help of modern UV direct print technology. The result of this are intense and sharp colors.
• Çap edilmiş poster (kətan materialı): Our poster print is a UV printed canvas with a granular surface structure. The poster print is perfectly appropriate for placing the art print with the help of a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6 cm around the print in order to facilitate the framing with your custom frame.
• Alüminium dibond çap: These are metal prints on aluminium dibond material with a true effect of depth. A direct Direct Print on Aluminum Dibond is your perfect introduction to fine art prints made with aluminum. The bright and white parts of the work of art shine with a silk gloss but without the glow. Colors are luminous and vivid in the highest definition, details of the print are crisp.
• Kətan çapı: A canvas direct print is a printed canvas stretched on a wood frame. A canvas creates the special look of three-dimensionality. Canvas prints are relatively low in weight, meaning that it is easy to hang up the Canvas print without the support of any wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.

Hüquqi qeyd: We strive in order to depict the art products in as much detail as possible and to exhibit them visually in our shop. Although, the pigments of the printing material and the imprint might diverge somehwat from the image on the device's screen. Depending on your settings of your screen and the nature of the surface, colors may not be printed one hundret percent realistically. In view of the fact that all are printed and processed manually, there may also be minor variations in the exact position and the size of the motif.

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Adriaen Blok, Haarlem, 1765; Andreas Bonn, Amsterdam; Baron Johan Gijsbert Verstolk van Soelen (1776-1845), The Hague; bought together with 42 other paintings from the Verstolk van Soelen Collection by Sir Thomas Baring (1772-1848), 2nd Bart., London & Stratton Park, Hampshire, 28 June 1846 (see W.H.J. Weale & J.P. Richter, A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, London 1889, pp. 202-203); by inheritance to Sir Francis Baring (1796-1866), 3rd Bart., and 1st Baron Northbrook, 1848-1866; by inheritance to Thomas George Baring (1826-1904), 1st Earl Northbrook, 1866-1904; by inheritance to Francis George Baring (1850-1929), 2nd Earl Northbrook, 1904-1929; by inheritance to his first cousin, Francis Arthur Baring; Frits Lugt, Maartensdijk and The Hague; sold by him to Eduard August Veltman (1878-1965), Bussum; sold together with 22 other paintings to Otto Wertheimer Gallery, Basel, 1951; purchased, 1953