Pierre-Auguste Renoir, 1890 - Vazadakı qızılgüllər - təsviri sənət çapı

About the painting titled "Roses in a Vase"

Daha çox 130 year-old painting named "Roses in a Vase" was created by the kişi artist Pierre-Auguste Renoir. The piece of art had the size: Çərçivəsiz: 25,5 x 34 sm (10 1/16 x 13 3/8 düym). Parça üzərində yağ was applied by the European artist as the technique for the masterpiece. "Signed lower left: Renoir" was the artpiece's original inscription. Furthermore, this piece of art is included in the digital collection of The Cleveland Museum of Art located in Klivlend, Ohayo, Amerika Birləşmiş Ştatları. Nəzakətlə Klivlend İncəsənət Muzeyi (ictimai domen lisenziyası). : Xanım Henri Uayt Cannonun hədiyyəsi. On top of that, alignment of the digital reproduction is landscape and has a side ratio of 1.4: 1, which implies that the length is 40% longer than the width. Pierre-Auguste Renoir was a illustrator, painter, sculptor, whose style can be classified as Impressionism. The painter lived for a total of 78 years and was born in the year 1841 Limoges, Nouvelle-Aquitaine, Fransa və 1919-cu ildə vəfat etdi.

Original artwork description from The Cleveland Museum of Art (© Müəlliflik hüququ - Klivlend İncəsənət Muzeyi - Klivlend İncəsənət Muzeyi)

The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, "'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model. When I paint flowers, I put down tones, I boldly try values, without having to worry about losing a canvas.'" He was particularly fond of roses, whose full, rounded shapes he likened to the female body. In 1861, Renoir met Claude Monet (1840–1926) and later shared a studio with him. Monet became an important influence on Renoir's art, as can be seen here in the rapid brush strokes, thinly scuffled background, and buildup of paint (impasto) in the blooms.

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Məhsulun material variantları

The product dropdown list gives you the possibility to select the size and materialaccording to your preferences. You can choose among the following product customization options:

• Alüminium dibond çap: These are metal prints on aluminium dibond material with an outstanding depth - for a modern impression and non-reflective surface structure. The bright components of the original artwork shine with a silk gloss but without any glow. The colors of the print are luminous in the highest definition, the details appear crisp.
• Poster çapı (kətan materialı): The poster print is a printed canvas paper with a slightly rough texture on the surface, which resembles the actual masterpiece. A print poster is ideally qualified for framing the art copy using a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the painting to facilitate the framing with your custom frame.
• Akril şüşə çapı (əsl şüşə örtüyü ilə): A glossy print on acrylic glass, often referenced as a an art print on plexiglass, will transform your favorite original into gorgeous décor and makes a good alternative option to dibond or canvas art prints. Our acrylic glass protects your chosen art print against light and heat for many more years to come.
• Kətan çapı: The canvas print, which shall not be confused with an artwork painted on a canvas, is an image printed from a UV direct printer. It generates a sculptural look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang your Canvas print without the support of any wall-mounts. That is why, canvas prints are suited for any kind of wall.

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Hüquqi imtina: We try everything in order to depict the products as clearly as possible and to demonstrate them visually in our shop. At the same time, the pigments of the print materials and the imprint might diverge marginally from the representation on your monitor. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all art reproductions are processed and printed manually, there may also be minor deviations in the motif's size and exact position.

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