Aqnolo Bronzino, 1550 - Qadın portreti - təsviri sənət çapı

İncəsənət məhsulunun spesifikasiyası

bu 16th əsr adlı sənət əsəri Qadın portreti tərəfindən yaradılmışdır italyan rəssam Aqnolo Bronzino. Rəsmin ölçüsü var idi: Çərçivəli: 81,5 x 68,5 x 5 sm (32 1/16 x 26 15/16 x 1 15/16 düym); Çərçivəsiz: 60 x 48,8 sm (23 5/8 x 19 3/16 düym). Taxta üzərində yağ was used by the European artist as the medium of the work of art. This artpiece is part of the digital collection of Klivlend İncəsənət Muzeyi in Klivlend, Ohayo, Amerika Birləşmiş Ştatları. Nəzakətlə - Klivlend İncəsənət Muzeyi (lisenziyalı - ictimai sahə). Əsərin kredit xətti aşağıdakı kimidir: Leonard C. Hanna, Jr. Fond. Üstəlik, rəqəmsal reproduksiyanın uyğunlaşdırılması da var portret format və nisbətinə malikdir 3: 4, which means that the length is 25% shorter than the width. The poet, painter Agnolo Bronzino was a European artist from Italy, whose art style can mainly be classified as Mannerism. The painter was born in 1503 in Monticelli, Firenze province, Tuscany, Italy and passed away at the age of 69 1572 edir.

İstədiyiniz materialı sifariş edin

Məhsulun açılan menyusu sizə fərdi ölçü və materialınızı seçmək imkanı verir. Beləliklə, sizə aşağıdakı variantlardan birini seçməyə imkan veririk:

• Çap edilmiş poster (kətan materialı): The Artprinta poster print is a UV printed canvas with a slight surface finish. A print poster is particularly suited for framing your art print using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the work of art to facilitate the framing with a custom frame.
• Kətan çapı: The canvas print, not to be confused with a real canvas painting, is a digital replica printed directly on cotton canvas. A canvas generates the particular look of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
• Alüminium dibond çap: This is a metal print made on aluminium dibond with a true effect of depth. For the Aluminium Dibond print, we print the chosen artpiece onto the surface of the aluminum composite. The white and bright components of the artwork shine with a silky gloss, however without glow.
• Çap edilmiş akril şüşə: An acrylic glass print, often named a fine art print on plexiglass, will change an original into décor. Beyond that, the acrylic fine art print makes a great alternative option to aluminium and canvas fine art prints. The work of art is printed thanks to the help of state-of-the-art UV print machines. The result of this are intense and deep colors. The major benefit of a plexiglass fine art print is that contrasts plus painting details become identifiable because of the subtle tonal gradation.

Vacib məlumat: We try everything in order to depict our products with as many details as possible and to showcase them visually on the various product detail pages. Nevertheless, the tone of the printing material and the imprint can vary slightly from the representation on the monitor. Depending on the settings of your screen and the nature of the surface, colors can unfortunately not be printed as realistically as the digital version. In view of the fact that our art reproductions are printed and processed manually, there may as well be minor differences in the motif's exact position and the size.

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Bu mətnin müəllif hüquqları qorunur © - www.artprinta.com (Artprinta)

What does the website of the The Cleveland Museum of Art state about the work of art created by Agnolo Bronzino? (© - The Cleveland Museum of Art - Klivlend İncəsənət Muzeyi)

Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.