Piero di Cosimo, 1482 - Françesko Giambertinin ölümündən sonra portreti (1405-c.1482), Giuliano da Sangallonun atası - təsviri sənət çapı

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• Akril şüşə çapı (əsl şüşə örtüyü ilə): An print on acrylic glass, which is sometimes labelled as a print on plexiglass, makes the original work of art into great home décor and forms a distinct alternative to aluminium and canvas prints. With an acrylic glass art print sharp contrasts and minor painting details become more recognizeable because of the fine tonal gradation.
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Əhəmiyyətli hüquqi qeyd: We try whatever we can to describe our art products with as many details as possible and to demonstrate them visually on the different product detail pages. Nonetheless, the colors of the print materials, as well as the print result can vary slightly from the image on your monitor. Depending on the screen settings and the quality of the surface, color pigments may not be printed as realistically as the digital version shown here. Considering that all the are processed and printed by hand, there might as well be minor discrepancies in the motif's exact position and the size.

Muzeydən sənət əsərləri haqqında məlumat (© Müəlliflik hüququ - Mauritshuis tərəfindən - Mauritshuis)

Francesco da San Gallo, Florensiya, 1567-ci ilə qədər; King James II, London, 1688-ci ilə qədər; King-Stadholder William III, London, 1688-ci ildən sonra; Het Loo Sarayı, Apeldoorn; Şahzadə V William, Haaqa, 1795-ci ilə qədər; fransızlar tərəfindən müsadirə edilmiş, Mərkəzi İncəsənət Muzeyinə/Musée Napoléon (Musée du Luvr), Paris, 1795-1815; Şahzadə Uilyam V Qalereyasında yerləşən Kral Şəkil Qalereyası, Haaqa, 1816; Mauritshuis'ə köçürüldü, 1822; uzunmüddətli kreditlə Rijksmuseum, Amsterdam (inv. № SK-C-1367), 1948-ci ildən

Replikanın xülasəsi

Posthumous Portrait of Francesco Giamberti (1405-c.1482), Father of Giuliano da Sangallo is an artpiece created by the early renaissance italyan rəssam Piero di Cosimo. Orijinalın ölçüləri: hündürlüyü: 47,5 sm eni: 33,7 sm | hündürlük: 18,7 eni: 13,3 düym. Paneldə yağ was used by the European painter as the medium of the artwork. Nowadays, this artwork is included in the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The ictimai şah əsəri nəzakətlə daxil edilir Mauritshuis, Haaqa. Creditline of the artwork: Francesco da San Gallo, Florence, until 1567; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1367), since 1948. The alignment of the digital reproduction is in portret format və 1 : 1.4 nisbətinə malikdir, bu o deməkdir ki uzunluğu enindən 29% qısadır. The painter Piero di Cosimo was an artist from Italy, whose art style was primarily Early Renaissance. The Early Renaissance painter was born in 1461 in Florence, Firenze province, Tuscany, Italy and deceased at the age of 60 in the year 1521 in Florence, Firenze province, Tuscany, Italy.

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