Yan Siberechts, 1670 - Kəndlilər çayı keçən - təsviri sənət çapı

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This over 350 year old work of art with the title Peasants Crossing a Stream was created by Jan Siberechts in 1670. Sənət əsərinin versiyası ölçüləri ölçür: Çərçivəli: 119 x 143 x 9 sm (46 7/8 x 56 5/16 x 3 9/16 düym); Çərçivəsiz: 99,7 x 122,5 sm (39 1/4 x 48 1/4 düym) və orta səviyyədə hazırlanmışdır kətan yağ. The original painting has the following text as inscrption: "signed lower left: "J. sibrechts. A. anvers."". Furthermore, this piece of art is included in the digital collection of Klivlend İncəsənət Muzeyi, dünyanın bütün dövrlərinə və bölgələrinə aid görkəmli sənət kolleksiyalarını yaradan, qoruyan, öyrənən və paylaşan, yeni elm və anlayış yaradan, eyni zamanda öz icması üçün sosial və intellektual mərkəz kimi xidmət edən dünyanın aparıcı muzeylərindən biridir. Nəzakətlə: Klivlend İncəsənət Muzeyi (ictimai domen). : Mr. and Mrs. William H. Marlatt Fund. Besides, the alignment is in landşaft formatdır və 1.2 : 1 yan nisbətinə malikdir, bu o deməkdir ki uzunluğu enindən 20% uzundur. Jan Siberechts was a male painter, ca., whose art style can primarily be attributed to Baroque. The Baroque painter lived for 86 years, born in 1627 in Antwerp, Antwerpen province, Flanders, Belgium and passed away in the year 1713 in London, Greater London, England, United Kingdom.

(© - Klivlend İncəsənət Muzeyi - www.clevelandart.org)

The painting is characteristic of Jan Siberechts's Antwerp style, characterized by scenes with fords through which peasants wade with their cattle. The peasants wear simple but brightly colored attire and stand out against the cool green landscape. Flanked by overgrown foliage, the silver hues of the still stream shimmer with reflections. Over the course of his career, which included moving to London in 1672, Siberechts continued to use many of the same figures in his paintings, including Flemish peasant women carrying jugs, like the one seen in this painting. Likewise, his approaches to depicting animals, such as the cows seen here, changed very little over time and are ubiquitous throughout his oeuvre.

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