Franz Anton Palko, 1760 - Kaiser Ferdinand I. - təsviri sənət çapı

Muzeyin ümumi təsviri (© - Belvedere - Belvedere)

In his delicate coloring as well as his moving composition, this posthumous portrait depicting Emperor Matthias different from Emperor Ferdinand I, like his counterpart, (Inv 4271) from the rest of portraiture of the time. The fact that here two emperors of the House of Habsburg long time were shown after her death in such a large format, suggests that they were intended to equip a representative space. Elfriede Tree suspected an origin from the ancestral hall of the Vienna Hofburg, but this could not be verified so far. Ferdinand I, however, shown here with unusual attributes: He touched on the table in front of him two uncut stones. Matthias, however, has coins and die in front of him. Based on the fact that the paintings are demonstrated in 1904 by a photograph in the Yellow Salon of the former Winter Palace of Prince Eugene in Vienna Himmelpfortgasse, however yet another opportunity arises. there as the authority for mining and coinage was placed under Maria Theresa, it may be in the two paintings of the 1750's trading year also commissioned works during the renovation work. This would in any case with the presented objects on the tables correlate (kindly note from Mag. Philipp Reichel MA).

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• Akril şüşə çapı (əsl şüşə örtüyü ilə): The print on acrylic glass, often labelled as a plexiglass print, will turn your favorite original into gorgeous décor and makes a good alternative option to canvas or dibond fine art replicas. Your favorite artwork is being manufactured thanks to state-of-the-art UV direct print technology. This makes vivid, deep colors. The major upside of an acrylic glass fine art print is that contrasts and small image details become more identifiable due to the subtle tonal gradation.

Başlığı ilə rəsm haqqında məlumat.Kayzer Ferdinand I."

bu klassik sənət adlı sənət əsəri Kayzer Ferdinand I. barok ustası tərəfindən çəkilmişdir Frans Anton Palko ildə 1760. The original had the following size: 380 x 215 cm - frame: 404 × 227 × 7,5 cm. Kətan üzərində yağ was used by the artist as the medium of the masterpiece. Today, this work of art can be viewed in in the Belvedere digital art collection. With courtesy of: © Belvedere, Vienna, inventory number: 4061 (lisenziya - ictimai sahə). Also, the artpiece has the creditline: transfer from the Ministry of Finance, Vienna in 1941. In addition to that, the alignment is in portret format və yan nisbətə malikdir 1: 2, bunu nəzərdə tutur uzunluğu enindən 50% qısadır. Franz Anton Palko was a painter, whose art style was mainly Baroque. The Baroque artist lived for 49 il, born in the year 1717 in Breslau, Dolnosla?skie, Poland and passed away in the year 1766 in Vienna, Vienna state, Austria.

Əhəmiyyətli hüquqi qeyd: We try to describe our art products with as many details as possible and to demonstrate them visually on the different product detail pages. However, the colors of the printing material, as well as the printing can diverge marginally from the presentation on the screen. Depending on the settings of your screen and the condition of the surface, colors may not be printed as exactly as the digital version shown here. Because all our fine art prints are processed and printed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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