Edqar Deqas, 1880 - Yaxınlıq - təsviri sənət çapı

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19-cu əsrin şah əsəri tərəfindən çəkilmişdir kişi Fransız rəssam Edqar Deqas 1880. kolleksiyasına aiddir Statens Muzeyi (Danimarka Milli Qalereyası), which is the largest museum of fine arts in Denmark and is attached to the Danish Ministry of Culture.. This modern art ictimai sənət əsərləri nəzakətlə daxil edilir Danimarkanın Milli Qalereyası.Əsərin kredit xətti: . Bundan əlavə, rəqəmsal reproduksiyanın uyğunlaşdırılmasıdır landşaft və 4 : 3 nisbətinə malikdir, yəni uzunluğu enindən 33% uzundur. The photographer, poet, engraver, painter, sculptor Edgar Degas was an artist from France, whose style can primarily be classified as Impressionism. The European painter was born in 1834 yaşında vəfat etdi 83 1917 ildə.

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• Çap edilmiş poster (kətan materialı): A poster print is a printed canvas with a slightly roughened surface texture. It is suited for placing the art copy using a personal frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the print motif in order to facilitate the framing with a custom frame.
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Disclaimer: We try to describe our art products as closely as possible and to exhibit them visually in our shop. Still, the colors of the printing material and the printing might differ marginally from the image on the device's screen. Depending on the screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Because all fine art prints are processed and printed manually, there might as well be minor differences in the exact position and the size of the motif.

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Muzeyin saytından ümumi təsvir (© Müəlliflik hüququ - Statens Museum for Kunst (Danimarka Milli Qalereyası) - www.smk.dk)

Monotype in black. 119x161 mm

Degas’ figures are usually characterised by a distancing realism, by a vein of observation whose cool intensity seems less fascinated by the body’s erotic aura than by its simple, concrete existence as an object. This gaze appears to be a negative one; a gaze whose lack of mercy corroborates claims of Degas’ misogyny.

Socio-cultural interpretations of women Degas’ women are worn-out prostitutes, tired washerwomen, or unsightly dancers also bearing the marks of their profession. Degas’ choice of types and the manner of his presentation opens up his renditions of women to socio-cultural interpretations. They become images of social constructs, the constraints of which defines them and marks them through the lives they lead.

A socio-cultural coercion In this monotype, however, the female figure clearly and irresistibly radiates an erotic voluptuousness that Degas’ art can also include. The picture’s masquerade-like feel, its similarity to a stage wardrobe, defines the woman in relation to the waiting man, his gaze fixing her above the subtle sign of his cane. The space itself becomes an image of anticipated union, enfolding this relationship that has been brought about by socio-cultural coercion.