Hyacinthe Rigaud, 1710 - Baş zabitin portreti - təsviri sənət çapı

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• Parlaq akril şüşə çap: An acrylic glass print, often described as a an art print on plexiglass, will change your favorite original artwork into marvellous décor. The great benefit of a plexiglass fine art print is that sharp contrasts as well as small painting details become more identifiable because of the delicate gradation. The acrylic glass protects your selected fine art print against sunlight and external influences for many years.
• Alüminium çap (alüminium dibond): These are metal prints on aluminium dibond material with a true depth. The bright & white components of the original work of art shimmer with a silk gloss, however without glare. This print on Aluminum Dibond is one of the most popular entry-level products and is an extremely sophisticated way to showcase fine art reproductions, as it puts 100% of the viewer’s focus on the replica of the artwork.
• Kətan çapı: A canvas print is a printed cotton canvas mounted on a wooden frame. Further, a canvas generates a cosy, pleasing look. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without additional wall-mounts. Because of thata canvas print is suitable for any type of wall.
• Kətan materialı üzərində poster çapı: A poster is a printed canvas with a slight surface finish. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm around the work of art, which facilitates the framing.

Vacib məlumat: We try what we can in order to depict our art products as closely as possible and to demonstrate them visually. Nevertheless, some colors of the printing material, as well as the printing may diverge to a certain extent from the representation on your monitor. Depending on the settings of your screen and the condition of the surface, colors can unfortunately not be printed 100% realistically. Because the are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

What does the curator team of the The Metropolitan Museum of Art write about this 18th century artwork painted by Hyacinthe Rigaud? (© - Metropolitan İncəsənət Muzeyi tərəfindən - www.metmuseum.org)

This portrait is based on a prototype by Rigaud showing the comte d'Évreux as a young man that was painted in about 1703.

təsvir

In 1710 Hyacinthe Rigaud painted this 18th century artwork. The beyond 310 illik orijinal aşağıdakı ölçüdə idi: 54 x 41 3/8 düym (137,2 x 105,1 sm). Oil on canvas was used by the French artist as the technique for the artwork. Moveover, this artwork is part of the collection of Böyükşəhər İncəsənət Muzeyiolan New York City, New York, Amerika Birləşmiş Ştatları. With courtesy of - The Metropolitan Museum of Art, New York, The Alfred N. Punnett Endowment Fund, 1959 (public domain license). Creditline of the artwork: The Alfred N. Punnett Endowment Fund, 1959. Further, the alignment of the digital reproduction is in portrait format yan nisbəti ilə 3: 4, which implies that the length is 25% shorter than the width. Hyacinthe Rigaud was a painter, whose style can primarily be attributed to Baroque. The Baroque artist lived for 84 il, ildə anadan olub 1659 in Perpignan, Occitanie, France and passed away in 1743 in Paris, Ile-de-France, France.

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