Willem Kalf, 1640 - Ewer, qablar və nar ilə natürmort - təsviri sənət çapı

Daha çox 380 illik sənət əsəri Still Life with Ewer, Vessels and Pomegranate tərəfindən hazırlanmışdır Barok rəssam Willem Kalf in 1640. The version of the artpiece had the following size: 104,5 × 80,6 sm (41 1/8 × 31 3/4 düym) and was crafted with oil on canvas. Nowadays, the work of art can be viewed in in the The J. Paul Getty Museum's collection, which is located in Los Angeles, Kaliforniya, Amerika Birləşmiş Ştatları. Bu ictimai sənət əsərləri nəzakətlə verilir J. Paul Getty Muzeyi.Moreover, the artwork has the following creditline: . On top of that, alignment is portrait and has an aspect ratio of 1: 1.2, which implies that the length is 20% shorter than the width. The painter Willem Kalf was an artist, whose art style can mainly be classified as Baroque. The Baroque artist lived for 74 il, anadan olub 1619 in Rotterdam, South Holland, Netherlands and passed away in 1693 in Amsterdam, North Holland, Netherlands.

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• Akril şüşə çapı (üstü real şüşə ilə örtülmüşdür): An print on acrylic glass, often named a plexiglass print, changes your favorite original work of art into décor. Besides, the acrylic glass art print forms a distinct alternative to dibond and canvas fine art prints. Your favorite work of art will be made with modern UV print technology. The great benefit of a plexiglass fine art copy is that contrasts as well as color details become recognizeable due to the very subtle gradation. Our real glass coating protects your selected art print against light and external influences for several decades.
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© Müəlliflik hüququ ilə qorunur - www.artprinta.com (Artprinta)

(© Müəlliflik hüququ - J. Paul Getty Muzeyi - J. Paul Getty Muzeyi)

Luxury objects, such as the ornate Mannerist ewer, steeple cup, and elegant glass vessels, are carefully arranged on a table in this Dutch still life. An open pomegranate and a bowl of fruit rest on white drapery. To the right, a lemon and three olives are reflected in a silver plate that rests precariously on the table's edge. Behind this, a platter holds a tankard whose elaborate polished surface reflects the adjacent wineglass. Light falls from the left, playing across these precious objects and causing them to glitter and shine.

Willem Kalf delighted in the play and contrast of transparent and reflective surfaces: the finely wrought metal of the ewer, the representation of smooth glass, the weave of the linen drapery, the dry crumbly texture of the bread, and the wet, shiny insides of the open pomegranate. At first glance, this still life implies an absence of human presence. But a closer look reveals just the opposite. The torn bread, half empty glass of wine, sliced fruit, and overturned glass allude to human intervention, as if these lavish delicacies were abruptly left on the table.