Gerard ter Borch, 1656 - Beşik yanında tikən qadın - təsviri sənət çapı
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Hər bir məhsul üçün müxtəlif ölçülər və materiallar təklif edirik. Beləliklə, sizə aşağıdakı variantlardan birini seçməyə imkan veririk:
- Afişa çapı (kətan materialı): The poster is a printed canvas paper with a nice surface texture. A poster print is designed for framing your art replica in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the artwork in order to facilitate the framing.
- Akril şüşə çapı (əsl şüşə örtüyü ilə): An print on acrylic glass, which is sometimes labelled as a fine art print on plexiglass, makes the artwork into beautiful home decoration. The plexiglass protects your custom art print against sunlight and external influences for several decades.
- Kətan: The canvas print, not to be mistaken with an artwork painted on a canvas, is a digital image printed from a UV direct printer. Your printed canvas of this artpiece will let you turn your art print into a large size artwork. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang your Canvas print without the use of any wall-mounts. Because of thatcanvas prints are suitable for all types of walls.
- Alüminium dibond çap: Aluminium Dibond prints are metal prints with an impressive effect of depth. A direct Aluminium Dibond Print is the perfect introduction to art reproductions with aluminum. The colors are luminous, the fine details are crisp and clear, and the print has a a matte look that you can literally feel.
Əhəmiyyətli hüquqi qeyd: We try our best to describe the art products as accurate as possible and to illustrate them visually on the various product detail pages. Nevertheless, the pigments of the print materials and the print result may vary slightly from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed 100% realistically. Bearing in mind that all art prints are printed and processed manually, there might also be minor deviations in the motif's exact position and the size.
Additional artwork information by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)
Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004
Bədii çap haqqında bilməli olduğunuz şeylər Woman Sewing beside a Cradle
The artwork "Woman Sewing beside a Cradle" was painted by Gerard ter Borch in 1656. The 360 year-old version of the artpiece had the following size: hündürlük: 46,5 sm eni: 38 sm | hündürlük: 18,3 eni: 15 düym və ilə hazırlanmışdır kətan yağ. Bu sənət əsərinin bir hissəsidir Mauritshuis-in Mauritshuis-də XVII əsrin Hollandiya rəssamlığının ən yaxşı əsərlərinə ev sahibliyi edən rəqəmsal sənət kolleksiyası. Nəzakətlə: Mauritshuis, Haaqa (licensed - public domain). Besides, the artwork has the following creditline: Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004. Bundan əlavə, rəqəmsal reproduksiyanın uyğunlaşdırılması portret formatındadır və yan nisbətə malikdir 1: 1.2, meaning that the length is 20% shorter than the width. Gerard ter Borch was a painter, whose style can mainly be classified as Baroque. The Baroque painter lived for 64 il 1617-cü ildə anadan olub, 1681-ci ildə vəfat edib.
Sənət əsəri masası
Əsərin adı: | "Woman Sewing beside a Cradle" |
Kateqoriyalaşdırma: | rəssamlıq |
Ümumi termin: | klassik sənət |
vaxt: | 17th əsr |
Buraxılış ili: | 1656 |
Sənət əsərinin təxmini yaşı: | 360 yaşlı ətrafında |
Orijinal sənət mühiti: | kətan yağ |
Orijinal sənət əsərinin ölçüsü: | hündürlük: 46,5 sm en: 38 sm |
Muzey: | Mauritshuis |
Muzeyin yeri: | Haaqa, Cənubi Hollandiya, Hollandiya |
veb səhifə: | Mauritshuis |
Lisenziya: | ictimai |
Nəzakət: | Mauritshuis, Haaqa |
İncəsənət krediti: | Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004 |
Məhsulun spesifikasiyası
Məqalənin təsnifatı: | bədii reproduksiya |
Reproduksiya: | rəqəmsal reproduksiya |
İstehsal texnologiyası: | UV birbaşa çap |
Məhsulun mənşəyi: | Alman istehsalı |
Ehtiyat növü: | tələb əsasında istehsal |
Məhsul istifadəsi: | bədii reproduksiya qalereyası, sənət kolleksiyası (reproduksiyalar) |
Şəklin istiqaməti: | portret hizalanması |
Şəklin aspekt nisbəti: | uzunluqdan enə 1 : 1.2 |
Məna: | uzunluğu enindən 20% qısadır |
Məhsulun material seçimi: | akril şüşə çap (əsl şüşə örtüklü), poster çapı (kətan kağızı), kətan çapı, metal çap (alüminium dibond) |
Kətan çapı (xərəyə çərçivəsində kətan) ölçüləri: | 50x60sm - 20x24", 100x120sm - 39x47", 150x180sm - 59x71" |
Akril şüşə çapı (əsl şüşə örtüyü ilə): | 50x60sm - 20x24", 100x120sm - 39x47", 150x180sm - 59x71" |
Poster çapı (kətan kağızı): | 50x60sm - 20x24", 100x120sm - 39x47" |
Alüminium çap (alüminium dibond material): | 50x60sm - 20x24", 100x120sm - 39x47" |
Şəkil çərçivəsi: | Mövcud deyil |
Rəssam məlumat cədvəli
Rəssamın adı: | Gerard ter Borch |
Peşələr: | rəssam |
Rəssamın təsnifatı: | köhnə usta |
İncəsənət üslubları: | Barok |
Ömür: | 64 il |
İldə anadan olub: | 1617 |
Ölüm ili: | 1681 |
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