George Frederik Watts, 1866 - Zaman, Ölüm və Qiyamət - təsviri sənət çapı

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• Poster çapı (kətan materialı): Our poster print is a printed flat canvas paper with a nice surface finish, that reminds the actual work of art. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing with your custom frame.
• Çap edilmiş akril şüşə: A glossy acrylic glass print, often denoted as a print on plexiglass, will convert the artwork into brilliant décor and forms a distinct alternative option to canvas and dibond fine art replicas. Your own replica of the artwork is custom-made with modern UV print technology.
• Kətan çapı: A UV printed canvas mounted on a wood stretcher frame. A canvas print of your favorite masterpiece will allow you to transform your individual art print into a large size work of art. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.
• Alüminium dibond çap: Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern impression and non-reflective surface structure. The bright & white parts of the original work of art shimmer with a silky gloss but without the glare. Colors are luminous, details of the print are crisp and clear.

Vacib qeyd: We try what we can in order to describe the products as closely as possible and to illustrate them visually. Nonetheless, the tone of the printing material, as well as the imprint might diverge somehwat from the image on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors are printed one hundret percent realistically. Since the art reproductions are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

Additional description as provided from the museum's website (© Copyright - by Art Institute Chicago - Çikaqo İncəsənət İnstitutu)

George Frederick Watts exhibited this painting at the Royal Academy, London, in 1865 as Design for a Larger Picture. He later executed a number of versions of the same subject, which was identified by Mrs. Watts as Time bearing a scythe and pressing forward through the stream of life hand in hand with his mate, Death. The figure of Judgment follows behind, holding a sword. In the last half of his career, Watts, a celebrated Romantic painter, favored allegories like Time, Death, and Judgment, which were influenced by his studies of the heroic forms of the Renaissance artist Michelangelo and the warm palette of Titian.

Məhsul haqqında məlumat

İldə 1866 George Frederick Watts made the piece of art. The original was made with the dimensions: 36 × 28 5/16 düym (91,5 × 72 sm). Kətan üzərində yağ was applied by the artist as the medium of the work of art. This work of art forms part of the digital collection of Çikaqo İncəsənət İnstitutu in Çikaqo, İllinoys, Amerika Birləşmiş Ştatları. This modern art masterpiece, which belongs to the ictimai Chicago İncəsənət İnstitutunun izni ilə daxil edilir. : Charles L. Hutchinson-un vəsiyyəti. Üstəlik, uyğunlaşma var portret format with a ratio of 3 : 4, which means that the length is 25% shorter than the width. George Frederick Watts was a male painter, sculptor of British nationality, whose artistic style can be attributed mainly to Realism. The British artist was born in the year 1817 in London, Greater London, England, United Kingdom and passed away at the age of 87 in 1904 in Compton, Surrey, England, United Kingdom.

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