Rembrandt van Rijn, 1636 - Susanna - təsviri sənət çapı

Description from Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Petrus Johannes Sneijers, Antwerp, 1758; his auction, Antwerp, 23 Mai 1758 (Lugt 1008), no. 15 (for 157 guilders to ‘Fierens’); Govert van Slingelandt, The Hague, 1758-1767; his widow, Agatha Huydecoper, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 12 (as ‘Bathseba’); the entire collection sold to Prince William V; Prince William V, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Izahat

Susanna is an artwork by Rembrandt van Rijn in 1636. Daha çox 380 year-old original measures the size: height: 47,4 cm width: 38,6 cm | height: 18,7 in width: 15,2 in and was produced with the texnika oil on panel. The original artpiece has the following text as inscrption: signed and dated: Rembr[ant f] / f 163[6]. Besides, the artwork is part of the art collection of Mauritshuis. With courtesy of: Mauritshuis, Haaqa (licensed: public domain). Creditline of the artwork: Petrus Johannes Sneijers, Antwerp, 1758; his auction, Antwerp, 23 Mai 1758 (Lugt 1008), no. 15 (for 157 guilders to ‘Fierens’); Govert van Slingelandt, The Hague, 1758-1767; his widow, Agatha Huydecoper, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 12 (as ‘Bathseba’); the entire collection sold to Prince William V; Prince William V, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Besides this, the alignment is in portret format yan nisbəti ilə 1: 1.2, meaning that the length is 20% shorter than the width. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose style can mainly be classified as Baroque. The European painter was born in 1606 Leydendə vəfat etdi 63 1669 edir.

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• Kətan çapı: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. A canvas creates a extra effect of three-dimensionality. How can I hang a canvas on the wall? A canvas print has the great advantage of being low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for any type of wall.
• Alüminium dibond (metal çap): An Aluminium Dibond print is a print material with an outstanding depth effect. A direct Aluminium Dibond Print is the perfect start to the sophisticated world of fine art prints with aluminum.
• Akrilik şüşə çap: An acrylic glass print, often labelled as a an art print on plexiglass, makes your chosen original into magnificient décor. Your favorite artwork is made with the help of state-of-the-art UV direct printing machines. With an acrylic glass art print contrasts plus details become identifiable thanks to the delicate tonal gradation.
• Çap edilmiş poster (kətan materialı): A poster print is a UV printed canvas paper with a fine surface structure, which resembles the actual version of the masterpiece. A poster print is suited for putting your fine art print with the help of a personal frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork to facilitate the framing.

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Disclaimer: We try our utmost to describe our products in as much detail as possible and to display them visually on the different product detail pages. Please bear in mind that the pigments of the printed materials, as well as the imprint may vary marginally from the presentation on the device's screen. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Since our are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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