Rembrandt van Rijn - Rembrandt's Son Titus (1641-1668) - təsviri sənət çapı

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The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a favorite of Rembrandt forgers, who occasionally failed to coordinate the date on their canvas with the style of execution and the sitter's age. The present painter has been more careful, evidently referring to an original portrait of Titus such as the one of about 1657 in the Wallace Collection, London, and, for the costume, to a self-portrait or other Rembrandt painting of the period; the same pose and placement of the figure in the composition occur in Rembrandt's Self-Portrait of 1652 in the Kunsthistorisches Museum, Vienna. The boy's bright eyes and sweetly smiling lips seem as superficial in expression as they are in form. The technique overall might be compared with that of the Man with a Beard (89.15.3).

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Başlığı olan sənət əsərinin texniki xüsusiyyətləriRembrandt's Son Titus (1641–1668)"

Rembrandt van Rijn created this painting. The original version of the piece of art had the following size 31 1/8 x 23 1/4 düym (79,1 x 59,1 sm). Oil on canvas was applied by the painter as the medium of the artwork. Nowadays, the piece of art can be viewed in in the collection of Böyükşəhər İncəsənət Muzeyi located in New York City, New York, United States of America. This work of art, which is part of the ictimai is included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913. Moreover, the artpiece has the creditline: Bequest of Benjamin Altman, 1913. In addition to this, the alignment is in portrait format with a ratio of 3: 4, which implies that the length is 25% shorter than the width. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose art style can be classified as Baroque. The painter lived for 63 il - born in 1606 in Leiden and deceased in the year 1669.

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