Childe Hassam, 1917 - Müttəfiqlər Günü, May 1917 - təsviri sənət çapı

İncəsənət məhsulunun xüsusiyyətləri

1917 ildə kişi artist Childe Hassam painted this modern art artwork called Allies Day, May 1917. Sənət əsəri ölçüsünü ölçür 92,7 x 76,8 sm (36 1/2 x 30 1/4 düym) and was manufactured with the medium oil on canvas. What is more, the piece of art forms part of the Milli İncəsənət Qalereyası digital art collection. We are glad to reference that the artwork, which is in the ictimai is being included with courtesy of National Gallery of Art, Washington.In addition to that, the artpiece has the creditline: . What is more, the alignment is in portret format şəkil nisbəti ilə 1: 1.2, yəni mənasını verir uzunluğu enindən 20% qısadır. The painter Childe Hassam was a North American artist from United States, whose style was primarily Impressionism. The Impressionist artist lived for 76 il - born in 1859 in Dorchester, Boston, Suffolk county, Massachusetts, United States, neighborhood and deceased in the year 1935.

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• Alüminium dibond: This is a metal print manufactured on aluminium dibond with an outstanding effect of depth. Its non-reflective surface creates a fashionable impression. The colors of the print are luminous and bright, details of the print are crisp and clear, and you can literally notice a matte appearance of the product. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a modern way to display fine art prints, since it puts 100% of the viewer’s attention on the whole artwork.
• Kətan çapı: The UV printed canvas stretched on a wooden frame. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the use of any wall-mounts. Hence, canvas prints are suitable for any type of wall.
• Akril şüşə çapı (əsl şüşə örtüyü ilə): The acrylic glass print, which is sometimes named as a an art print on plexiglass, transforms your favorite original work of art into décor. Your work of art is being printed with state-of-the-art UV print technology. The special effect of this are vivid, impressive colors. The great advantage of an acrylic glass art print is that contrasts and painting details will be more exposed with the help of the very fine gradation of the picture. Our acrylic glass protects your selected art print against sunlight and heat for between 40-60 years.
• Kətan materialı üzərində çap olunmuş poster: The poster print is a UV printed sheet of canvas paper with a slightly rough structure on the surface. It is particularly suited for placing your fine art print with the help of a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm around the print in order to facilitate the framing with your custom frame.

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Additional artwork information by the museum's website (© Copyright - National Gallery of Art - Milli Sənət Qalereyası)

Gift of Ethelyn McKinney in memory of her brother, Glenn Ford McKinney

A patriotic whirlwind overtook mid–town Manhattan as America entered the First World War in the spring of 1917. On Fifth Avenue, the British Union Jack, the French Tricolor, and Stars and Stripes were displayed prominently during parades honoring America's allies. The colorful pageantry inspired Childe Hassam, who dedicated this picture "to the coming together of [our] three peoples in the fight for democracy." Hassam's flag paintings were first shown as a group in New York's Durand–Ruel Gallery in November 1918, just four days after the armistice was declared. Thus, the works, originally created to herald America's entry into the war, also served to commemorate its victorious resolution.

Hassam had studied in Paris from 1886–1889 and was strongly influenced by the impressionists. In many respects, Allies Day resembles the vibrant boulevard paintings of Monet and Pissarro. Like these contemporary French artists, Haassam selected a high vantage point overlooking a crowded urban thoroughfare to achieve an illusion of dramatic spatial recession. But, rather than using daubs of shimmering pigment to dissolve form, he applied fluid parallel paint strokes to create an architectonic patterning. Although he shared the impressionists' interest in bright colors, broken brushwork, and modern themes, Hassam's overall approach was less theoretical and his pictorial forms remained far more substantial than those of his European contemporaries.